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<title>arch-bi&apos;sho(pp)ing</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/" />
<modified>2007-05-03T19:44:33Z</modified>
<tagline></tagline>
<id>tag:www.titanicmistake.com,2007:/archbishopping/10</id>
<generator url="http://www.movabletype.org/" version="3.2">Movable Type</generator>
<copyright>Copyright (c) 2007, a.bishop</copyright>
<entry>
<title>20070502</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2007/05/20070502.html" />
<modified>2007-05-03T19:44:33Z</modified>
<issued>2007-05-03T19:37:32Z</issued>
<id>tag:www.titanicmistake.com,2007:/archbishopping/10.464</id>
<created>2007-05-03T19:37:32Z</created>
<summary type="text/plain">OFTPOAPBOPCPASMSTUBODPO...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>sessions</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>OFTPOAPBOPCPASMSTUBODPO</p>]]>
<![CDATA[<p>Organization for the Prevention of a Potential Ban on Personal Cell Phone and SMS Text Usage by On-Duty Police Officers</p>

<p>We are a for-profit organization dedicated to the prevention of a ban on the usage of a cell phone for personal calls and text message transmissions by on-duty police officers. While such a ban does not yet exist, or has not yet been proposed, we are positioning ourselves and our resources to prevent this from taking place.</p>

<p>tbc'd...</p>]]>
</content>
</entry>
<entry>
<title>Puddin&apos; Pie</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/11/puddin_pie.html" />
<modified>2006-11-30T18:55:20Z</modified>
<issued>2006-11-30T18:51:27Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.405</id>
<created>2006-11-30T18:51:27Z</created>
<summary type="text/plain">What will the market bear for a 99 cent treat?...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject><![CDATA[<#>|Arch-Bi'Money Hop[]]></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p><a href="http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItem&ih=011&sspagename=STRK%3AMESE%3AIT&viewitem=&item=320055841627&rd=1&rd=1">What will the market bear for a 99 cent treat?</a></p>]]>

</content>
</entry>
<entry>
<title>Do not disturb.</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/11/do_not_disturb.html" />
<modified>2006-11-30T08:59:01Z</modified>
<issued>2006-11-30T07:17:02Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.404</id>
<created>2006-11-30T07:17:02Z</created>
<summary type="text/plain"></summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject><![CDATA[<#>|Arch-Bi'Money Hop[]]></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">

<![CDATA[<p>As I ponder the future of Titanic Mistake, and a potential home for its peripheral potential, I look sharply at my own contributions to date and realize that my role has essentially been the same with this enterprise as it has been for others: to produce. I am now very comfortable with this position and realize that my creative aspirations enrich my ability to produce, not the other way around. Professionally I am a producer. I could call myself some sort of architect or some other bullshit. But I produce. I basically just rub things until they look decent enough to make people not want to vomit. Sometimes they take their checkbooks out.</p>

<p>Titanic Mistake became as most things become, it was a seed planted into a favorable season and grew into a healthy sapling. It was occasionally over-watered and pruned too heavily, but it endured and now may be transplanted from its burlap blog into urban soil to mature and bear fruit.</p>

<p>The Capkin has persisted to become a non-artist in serious risk of having to shorten this title, one way or the other. His lack of understanding of the art world has proven to not be a strength nor a weakness, but rather hot sauce you could wipe out of the corner of your mouth with his work. The power of the content of his creations are the virtually-daily recordings of a man who is coming up to speed with where he might want to be had he not taken choice and his creative potential for granted. This content falls into containers established near the beginning of the journey, the rules for its production, the heading for the ship that becomes from his scribbles. There is spillage, but the containers remain. There is thread.</p>

<p>The TreeHouse will require considerably more care and foreskin. The Capkin will manage the entrepreneurial aspects of capital management and allocation, creation of artistic materials and idea generation in a Crunkly manner. The Archbishop will serve as a warming lubricant for process. He will facilitate all aspects of creation. He will also filter all phases of "external" visibility and these will be compared against the rules established before war was waged in honor of uncommon nonsense. Princess Pkink may want to dance to the rhythm of the drum beaten with Peyronie's drumstick. Isabella Babylon will likely join her. Do not disturb.</p>]]>
</content>
</entry>
<entry>
<title>Me neither.</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/11/me_neither.html" />
<modified>2006-11-21T03:04:35Z</modified>
<issued>2006-11-21T03:01:24Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.401</id>
<created>2006-11-21T03:01:24Z</created>
<summary type="text/plain"></summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>Cranktankerous</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">

<![CDATA[<p>Did you ever notice that a map of the northern half of Manhattan kind of looks like the leg and hoof of a cow, or a fat horse, as if hung upside down, or in the final stages of rigor mortis? Me neither.</p>

<p>Did you ever look up the word "dictionary" in the dictionary? Me neither.</p>

<p>Did you ever think about what it might be like to just run away, leave everyone and all of your worries behind, just start over from scratch, change your name to something cool like "Cliffside McGillamany"? Me neither.</p>

<p>Did you ever type a sentence and want to include a punch line right after it but not sure if the reader could peripherally read the line below, ruining the surprise? Me neither.</p>

<p>Did you ever stick your finger so far up your asshole that you had to go twice as far, just to see whatsa was goings on there? Me neither.</p>]]>
</content>
</entry>
<entry>
<title>How to Bitch-Slap Your &quot;Boss&quot; via Email</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/10/how_to_bitchsla_1.html" />
<modified>2006-10-23T01:35:11Z</modified>
<issued>2006-10-23T01:09:27Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.397</id>
<created>2006-10-23T01:09:27Z</created>
<summary type="text/plain"></summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>Cranktankerous</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">

<![CDATA[<p>Curtis,<br />
Since we are not having much communication lately I don't know where you are w/ the shop drawings for 7th St. and 22 Gramercy.   So, if I do not have the drawings for 7th St from you by early Fri afternoon then I will take off where you left off last Friday and complete them over the weekend.  Also, I do not want you to work on the drawings if I cannot review them regularly (daily) since I am not interested in having them redrawn several times if they are not correct, are miss informative (and I do not wish the drawings to be or over complex, I already stressed that before)<br />
-M</p>

<p>------------------------------------------------------------------------------------------</p>

<p>Dear Martin,<br />
I was the last one to send a message so the only reason "we are not having much communication lately" is a result of your own attempt to disregard my email regarding fair wage payments. I will consider the rest of your communication an attempt to slander my credible contributions to your "company."</p>

<p>When you were signing the contract for the 7th St. residence, Scott C. made a comment about something that was incorrect, an error in its contents. You were foolish enough to blame that incorrect piece of information on me while I was sitting in the room. After Scott C. left, I quizzed you about it. You said, "Oh, don't worry about it." I persisted because I wanted to know what was incorrect, I wanted to  ensure that I did not make the same mistake again. But mostly because I knew I did not make a mistake. You said, "Actually, I think it was something I did." You then tried to buy me coffee later. You never apologized. You never explained yourself. You tried to buy me coffee.</p>

<p>I don't want your coffee. You're not trustworthy. You treat Grace and I worse than your sub-contractors, which is horribly at best. You verbally intimidate us to get your way. You apply pressure and lie to achieve your goals. You have not earned my trust and for this reason alone I am quitting MRTA. Further justifications for my decision include the lack of adequate wages you pay to us and the unethical business behavior you conduct and advocate. For me to continue to work for you would therefore be unethical on my part also. I am not unethical. I pay taxes on all purchases and income. The IRS would not have a problem with me. But most importantly, I just don't tell blatant lies.</p>

<p>I expect to receive checks for the work I've completed. I left timesheets for that work on your desk. I suggest you mail the checks to me. I will have your materials (office documents, drawings, book and key) sent via messenger service to you after I receive the checks. If I do not receive the checks by Wednesday, October 25, 2006, I will file an official complaint with all relevant entities and leave the complaints open until I receive due wages.</p>

<p>Thank you for your immediate attention in this matter.</p>

<p>-Curtis</p>

<p>------------------------------------------------------------------------------------------</p>

<p>Curtis,<br />
I will give you the payment I owe you once I receive the keys from you and any "...office documents, drawings, book and key" .  I will not mail anything out. We can schedual that next week afternoon in my office.<br />
-M</p>

<p>------------------------------------------------------------------------------------------</p>

<p>M,<br />
I am not wasting anymore of my valuable time on MRTA, especially to drop off items that I can have mailed to you. I will have them delivered but, as I said, only after I receive my check(s) (by October 25, 2006) and they have cleared at my bank. Be mindful of your conduct here, if I am not satisfied with how you handle this situation I will file official complaints, as I've already stated in previous correspondence.</p>

<p>It would be foolish of you to complicate your life with audits by the SIIA and IRS for the measly amount you owe me. I don't care about the money, at this point it's about the principle. You are too weak to take responsibility for your own mistakes as you've shown repeatedly. You are also too weak to apologize for mistakes you make. This is your opportunity to confront these personal issues you have and act professionally and ethically.</p>

<p>Please also note that your transparency is pathetic. You sent the "Millwork Drawings" email to me at 10:02pm on October 19, 2006. This was after you posted the "intern -Architecture/Construction Mngmnt" ad (for my replacement) on craigslist.org at 6:25pm of that same day. This was because you decided you would not honor my wage increase request and wanted to "make a move" while trying to keep me in the dark. You are the one in the dark. I suggest you proceed carefully.</p>

<p>Thank you,<br />
Curtis</p>

<p>------------------------------------------------------------------------------------------</p>

<p>C,<br />
When Am I going to get my stuff when your checks are sent?<br />
-M</p>

<p>------------------------------------------------------------------------------------------</p>

<p>M,<br />
The leverage I have is obviously larger than a book and a few pieces of paper, so I will have them delivered on Monday to your office. Please, for your own sake, make sure I receive the checks on time.</p>

<p>------------------------------------------------------------------------------------------</p>

<p>Curtis,<br />
2 Checks are being sent out today to your apartment:<br />
Week of October 2 Invoice $XXX.XX ch#1625<br />
Week of October 9 Invoice $XXX.XX  ch#1626<br />
Also, in the office there is still a bunch paperwork here in a folder and other miscellaneous things that I believe are yours.  When will they get sorted out & taken by you or are those thing to be discarded? If you choose to pick it up it will have to be while I am around. </p>

<p>------------------------------------------------------------------------------------------</p>

<p>Just put my stuff in an envelope/package and mail it to me. I will mail back a check to cover indicated postage on those items. If you use UPS or FedEx, or another courier, put the receipt in the package for the amount you want reimbursed.</p>

<p>You'll receive your materials on Monday afternoon.</p>

<p>-Curtis</p>

<p>------------------------------------------------------------------------------------------</p>

<p>Curtis,<br />
Grace will FedEx 2nd day delivery your stuff no later then Wed.<br />
-M</p>

<p>------------------------------------------------------------------------------------------</p>

<p>Perfect.</p>

<p>-Curtis</p>]]>
</content>
</entry>
<entry>
<title>! H b A d P a P y Y !</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/06/_h_b_a_d_p_a_p_1.html" />
<modified>2006-06-01T05:42:00Z</modified>
<issued>2006-06-01T05:39:38Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.337</id>
<created>2006-06-01T05:39:38Z</created>
<summary type="text/plain">28 years of slippin, limpin, sing-songin and swingin... congrats! Your Honorable Archibshop, C-Ping...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>Cranktankerous</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>28 years of slippin, limpin, sing-songin and swingin... congrats!</p>

<p>Your Honorable Archibshop,<br />
C-Ping</p>]]>

</content>
</entry>
<entry>
<title>Can you hear me?</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/05/can_you_hear_me.html" />
<modified>2006-05-29T19:34:01Z</modified>
<issued>2006-05-29T19:22:15Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.335</id>
<created>2006-05-29T19:22:15Z</created>
<summary type="text/plain"></summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>t A r R a C n H s B m I i $ t H t O a P l</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">

<![CDATA[<p>Yo, Bud. <br />
Can you hear me?<br />
Yeah.<br />
Where are ya?<br />
Uh... we're almost th-<br />
Huuh?<br />
Hello c- ca-<br />
Can you hear me?<br />
(silence)<br />
Yo!<br />
(background chatter)<br />
Hello?!</p>]]>
</content>
</entry>
<entry>
<title>Yeah I can hear you! Heh?!</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2006/05/yeah_i_can_hear.html" />
<modified>2006-05-29T19:34:19Z</modified>
<issued>2006-05-28T19:29:13Z</issued>
<id>tag:www.titanicmistake.com,2006:/archbishopping/10.336</id>
<created>2006-05-28T19:29:13Z</created>
<summary type="text/plain"></summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>t A r R a C n H s B m I i $ t H t O a P l</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">

<![CDATA[<p>Yo, Rich.<br />
Can you hear me?<br />
Yeah I can hear you!<br />
Heh?!<br />
Uh, we're on th-<br />
We're on the Turnpike!</p>

<p>HELLO?!</p>

<p>HELLOOooo...</p>

<p>(background) He cut off.</p>

<p>Hey.</p>

<p>HEY!</p>

<p>eeeaaahhh...</p>]]>
</content>
</entry>
<entry>
<title>Beer, Weed, Latté</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/12/beer_weed_latta.html" />
<modified>2006-01-24T09:27:33Z</modified>
<issued>2005-12-10T08:57:12Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.188</id>
<created>2005-12-10T08:57:12Z</created>
<summary type="text/plain">(Sung to Jay-Z&apos;s &apos;Money, Cash, Hoes&apos;)...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject><![CDATA[<#>|Arch-Bi'Money Hop[]]></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>(Sung to Jay-Z's 'Money, Cash, Hoes')</p>]]>
<![CDATA[<p>Beer<br />
...<br />
...<br />
Weed<br />
...<br />
...<br />
Latté<br />
...<br />
Beer<br />
Weed<br />
Latté<br />
("...what?")</p>

<p>Beer<br />
...<br />
...<br />
Weed<br />
...<br />
...<br />
Latté<br />
...<br />
Beer<br />
Weed<br />
Latté<br />
("...come on!")</p>]]>
</content>
</entry>
<entry>
<title>M f I a N q I</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/12/m_f_i_a_n_q_i.html" />
<modified>2006-01-24T09:27:33Z</modified>
<issued>2005-12-10T07:45:54Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.187</id>
<created>2005-12-10T07:45:54Z</created>
<summary type="text/plain">j W o I k T e H s P o A n R e T...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>j W o I k T e H s<br />
P o A n R e T</p>]]>
<![CDATA[<p>"Are you selling that?" (3 people)<br />
"What is it?!" (5)<br />
"How much did it cost?" (11)<br />
"Where would you get one of these things?" (2)<br />
"Where'd you get that?" (7)<br />
"How fast does it go?" (2)<br />
"What year is it?" (8)<br />
"Small car...!...?!" (2)<br />
"Why does it look like that?" (3)<br />
"Tight in there, ay?" (3)<br />
"How do you fit in that thing?" (2)<br />
"How big is the engine?" (4)<br />
"I bet you could fit that thing anywhere, ehr?" (3)</p>

<p>Jokes:<br />
"Hey, where's the remote control?"<br />
(followed by chuckling from a group of 15-year-olds)</p>

<p>"Hey, how do you tow one of those things? ...throw it on your backbone...?"<br />
(followed by chuckling from a group of 15-year-old-ish everyday men)</p>]]>
</content>
</entry>
<entry>
<title>p T a H s E s</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/12/p_t_a_h_s_e_s.html" />
<modified>2006-01-24T09:27:33Z</modified>
<issued>2005-12-06T00:41:15Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.183</id>
<created>2005-12-06T00:41:15Z</created>
<summary type="text/plain">August 22, 6:37 AM VOICEMAIL from: Nick Stranges to: Curtis Schmitt...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>t A r R a C n H s B m I i $ t H t O a P l</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>August 22, 6:37 AM</p>

<p>VOICEMAIL</p>

<p>from:<br />
Nick Stranges</p>

<p>to:<br />
Curtis Schmitt</p>]]>
<![CDATA[<p>Alright, so here's the deal:<br />
The pass...<br />
was a D I S A S T E R.</p>

<p>But it, it, it worked out. But,</p>

<p>I went ta...</p>

<p>First of all... <br />
She wasn't looking up, she was looking down.<br />
Th- that was already my first negative.<br />
So I had to stop. And then, I tapped her on the shoulder and she didn't even respond. And then I had to tap her on the shoulder AGAIN.<br />
And then she looked up and SMILED, and said "hi."</p>

<p>Right?</p>

<p>And THEN I went to lean in to give her the note and she like didn't take it at first...?<br />
I said, "this is for you."<br />
She goes, "oh oh..."</p>

<p>And then like I kinda banged my head on the fucking furniture thing...? (laughs)</p>

<p>(sighs)</p>

<p>And then I just went to go sit down.<br />
I br, I broke out into a sweat in about three seconds flat.</p>

<p>'n then we got off of the bus.</p>

<p>And she did, like we, you know, we kind of expected, the:<br />
come up to me,<br />
the laughing,<br />
the smile,<br />
the whole thing... and uh...</p>

<p>and uh, you know, kinda like, she said... well I'll explain the rest to you later, but...</p>

<p>She did, right before she got into the cab she explained it to be very "creative."<br />
So, I, I thought that was pretty cool.</p>

<p>She also had one of those sarcastic, smerky laughs like uh... she's like, "when did you write this?" You know? Like that.</p>

<p>And I was like "Oh ah..."<br />
I said something like, "Oh, I guess, I guess you didn't like it." Or something like that.<br />
She goes, "no no no I didn't mean it like that."<br />
So, who knows... I guess it's cool.</p>

<p>So she gave me the number again, we were standing outside.<br />
And I was just about to like, start askin' her, like "you know, let's go out this week or somethin'."</p>

<p>But she's like "Don't forget it this time!" And then she went towards the cab. So I was like "alright" so like whatever.</p>

<p>So we'll see what happens, but I'm definitely calling her.</p>

<p>Later.</p>]]>
</content>
</entry>
<entry>
<title>p M r O o N n K o E u Y n</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/10/p_m_r_o_o_n_n_k.html" />
<modified>2006-01-24T09:27:33Z</modified>
<issued>2005-10-05T14:54:20Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.150</id>
<created>2005-10-05T14:54:20Z</created>
<summary type="text/plain">KELLY...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject><![CDATA[<#>|Arch-Bi'Money Hop[]]></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>KELLY</p>]]>
<![CDATA[<p>Kelly owns/runs/moderates several forums online, ranging in subject from digital calligraphy to trading orange juice concentrate. These allow monkey to mythologize, speculate, intuit and otherwise influence in a decisively non-rational way the interactions and thoughts of others who subscribe to these forums.</p>

<p>Kelly authors several blogs under various pseudonyms. Kelly uses these blogs to challenge blog convention (such as time, subject, content, display, resolution, etc.) to disallow the reader to take for granted the convenience of the medium. </p>

<p>Kelly studies etymology and regularly substitutes historical root terms for the accepted, modern word form, sometimes using hybridized root terms to create new language where the current roster of words in circulation seems claustrophobically limiting. This, of course, self-consciously presupposes that at some point future readers of Kelly's musings may adapt these new words with enough regularity that they may morph into more refined versions of themselves and become inserted into some dictionary.</p>

<p>Kelly is obsessed with not being obsessive. Kelly regularly does nothing regularly. Kelly cannot sleep in the same place two nights in a row (with the exception being monkey has exhausted monkey to the point that monkey falls asleep where monkey is). Kelly will sleep anywhere, at any time, even or especially if it inconveniences someone else. Kelly is like a cat in this way, except for yesterday when monkey was a zebra, or tomorrow when monkey is spaghetti and ballsmeat.</p>

<p>Kelly fashions a tool belt filled primarily with smashing instruments and bonding agents. These allow Kelly the option of reconfiguring anything at any time, including the tool belt, the smashing instruments and the bonding agents.</p>

<p>Kelly received professional training as a stunt monkey, not to work in moving pictures but mainly because monkey enjoys a good adrenaline rush at the expense of the emotional and psychological well-being of passersby.</p>

<p>Kelly loves nature. Unfortunately for the trees and napping squirrels, Kelly also loves chainsaws.</p>

<p>Kelly's preferred mode of transportation is mass transit. Kelly uses this private time to put on monkey make-up, or make banana calls to monkey subconscious desires.</p>

<p>Kelly almost always first offers a barter of dance/performance (of appropriate length) for goods or services. In opposition to Kelly's better judgments, Kelly continues to offer this as fair trade despite once being hospitalized after paying off an impulsive llama purchase.</p>

<p>Kelly prefers to eat with monkey hands, but if necessary, will smash food to a pulp and consume with monkey sp-ork.</p>

<p>Kelly carries large bags of foreign currency coinage in small denominations. Kelly will often spell out invented words in brail with the coins on public sidewalks and/or public bathroom floors. This also gives Kelly the opportunity to impulsively hop on a plane to another country and pay for goods and services if monkey dancing proves to be unprofitable. </p>

<p>If Kelly must answer the phone, monkey always greets with the name and slogan for the most recent company that allowed Kelly to dance for goods or services. If none yet exists or it has been some arbitrary length of time since Kelly was able to barter in monkey preferred fashion, Kelly greets with an offer to dance for the person on the other end of the line if that person agrees to hang up without saying a word.</p>

<p>When walking down a hallway or along a sidewalk, Kelly will switch sides to ensure that monkey doesn’t regularly pass on the same side. To the relief of local law enforcement officials and the larger motor-vehicle-operating population, Kelly rarely does this anymore with monkey unicycle.</p>

<p>If challenged to a dare, Kelly will surely decline but will have the phrasing of that dare inconspicuously tattooed on monkey back.</p>

<p>Kelly enjoys dressing in one-piece suits. Monkey suit-of-choice is either a wet suit or a Kevlar-reinforced motorcycle suit. They are always modified to avoid equal-length appendage concealment.</p>

<p>If Kelly must use a readymade pattern, it is camouflage, or at least non-regular. Monkey strangest piece is a camouflage life vest, which comes in handy when the impulse to jump off a bridge strikes.</p>

<p>Kelly is a ferocious lover. Monkey will not engage in sex unless there are equal parts pain and pleasure. The tool belt is especially convenient for accomplishing this.</p>

<p>Kelly baths in natural bodies of water regularly. Monkey prefers if they are somewhat conspicuous locations so that lucky individuals may experience monkey body art.</p>

<p>Kelly is not artistic per se, but does have several creative pets. Anything that they produce is hung from the ceiling or re-configured into sculpture. If Kelly finds one of monkey pets’ pieces particularly disturbing, Kelly will eat it.</p>

<p>Kelly is a healthy individual. Monkey tracks monkey health via photographing every bowel movement and cataloguing it. This allows monkey to observe variations in color, consistency, diameter, length and buoyancy and also make beautiful wall coverings. The best ones are sent out in December as presents for all of those who celebrate Mass-Christ or somewhat.</p>

<p>Kelly prefers to write or sketch in odoriferous locations, pungent landfills are best. If Kelly is at home writing on the walls, floors or ceiling, monkey will create a pungent stench to stay lucid. If the desire to inscribe hits and flavorful air is not an option, monkey will use cat tranquilizer to stay lucid.</p>

<p>Kelly is athletic and participates in multiple marathons each year. Monkey preferred style is to sprint as fast as possible until arriving upon a location where music can be heard. Kelly will then break-dance for the spectators as other participants run past.  </p>

<p>Kelly studies alternative forms of communication. Smoke signals, signing, ESP and Morse code allow monkey to engage in conversations that would otherwise be impossible. </p>

<p>Kelly serves monkey community by volunteering at the local prison. There, monkey motivates the prisoners to vanquish their pained thoughts via artistic expression. Kelly will offer to purchase the most honest works (with dance, if possible) to elevate the prisoners’ sense of self-worth and value as creative individuals. Kelly also sometimes has violent sex with them.</p>]]>
</content>
</entry>
<entry>
<title>-----(5th)-----(5th)</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/09/5th5th.html" />
<modified>2006-01-24T09:27:33Z</modified>
<issued>2005-09-08T05:13:15Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.131</id>
<created>2005-09-08T05:13:15Z</created>
<summary type="text/plain">functionalist texture?...</summary>
<author>
<name>F.Newara</name>

<email>f.newara@titanicmistake.com</email>
</author>
<dc:subject><![CDATA[<#>|Arch-Bi'Money Hop[]]></dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>functionalist texture?</p>]]>
<![CDATA[<p>functionalist texture.<br />
--layering--(2nd)<br />
bldg controlled by positions of data/information storage and its relevance on data/information acquisition.<br />
centers - think of portland bookstore.<br />
---i'm thinking of a cubic form with a regular grid of rows, columns, etc., highly visible from below, from afar, and densities of "color", let's use book as the module, depends on the density of the unit---(3rd)</p>

<p>precedent study.<br />
--precedents are apparent in functionalist texture.--(2nd)</p>

<p>chronology is apparent in functionalist texture.</p>

<p>how is this information relayed?</p>

<p>container not as, equally or more important than content?</p>

<p>what is content anymore?</p>

<p>reality?--(2nd)</p>

<p>who is prioritized in organization of data/information?<br />
librarian?<br />
ceo?<br />
architect?<br />
engineer?<br />
client?<br />
customer?<br />
patron?<br />
critic?<br />
lawyer?<br />
small business person?<br />
mayor?</p>

<p>--what would be the non-program?<br />
the empty space surrounding the center(s)?<br />
how does information grow?<br />
more centers must be created<br />
they must be fractal<br />
they must be organized by growth<br />
content containers must be mobile<br />
always multiple centers<br />
at what point are there too many centers? a random field, gray, non-discrete?<br />
at what point are there too few centers? a dictatorship? a monopolizing of area density?--(2nd)</p>

<p>functionalist texture.<br />
data visible from below but not in the way that uv rays age hard documentation.<br />
--layering--(2nd)</p>

<p>color coding.<br />
--green, blue, reluctantly crouched at the starting line--(2nd)</p>

<p>functionalist texture.</p>

<p>L O C<br />
A T I <br />
O N S</p>

<p>and there effect on <br />
understanding<br />
navigating</p>

<p>who is prioritizing?</p>

<p>functionalist texture?<br />
--what is the residue of how that piece of information arrived at its "location?"<br />
how can this help the query-initiator understand that information?<br />
where did the facts in your preferred fact book come from?<br />
how many previous fact books?<br />
how many previous fact stories?<br />
how many previous fact lies?<br />
where when whom?--(2nd)</p>

<p>conceptual design is prioritized (feedback to beginning, all add'l comments will be marked "2nd" as in second iteration, third iteration marked "3rd", fourth "4th" and so on...)</p>]]>
</content>
</entry>
<entry>
<title>! H b A d P a P y Y !</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/06/_h_b_a_d_p_a_p.html" />
<modified>2006-01-24T09:27:32Z</modified>
<issued>2005-06-02T04:14:46Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.111</id>
<created>2005-06-02T04:14:46Z</created>
<summary type="text/plain">27 years of rippin, pimpin, ding-dongin and flingin... congrats! Your Honorable Archibshop, C-Ping...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>

<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>27 years of rippin, pimpin, ding-dongin and flingin... congrats!</p>

<p>Your Honorable Archibshop,<br />
C-Ping</p>]]>

</content>
</entry>
<entry>
<title>d G i E v T o T r I c N e G d</title>
<link rel="alternate" type="text/html" href="http://www.titanicmistake.com/archbishopping/archives/2005/05/d_g_i_e_v_t_o_t.html" />
<modified>2006-01-24T09:27:33Z</modified>
<issued>2005-05-13T04:01:52Z</issued>
<id>tag:www.titanicmistake.com,2005:/archbishopping/10.110</id>
<created>2005-05-13T04:01:52Z</created>
<summary type="text/plain">Listen, these things happen…...</summary>
<author>
<name>a.bishop</name>

<email>a.bishop@titanicmistake.com</email>
</author>
<dc:subject>Taht&apos;s fine</dc:subject>
<content type="text/html" mode="escaped" xml:lang="en" xml:base="http://www.titanicmistake.com/archbishopping/">
<![CDATA[<p>Listen, these things happen…</p>]]>
<![CDATA[<p>So my Mom just told me that she and my Dad are splitting up. Not much more to say... still digesting it.</p>]]>
</content>
</entry>

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